Titian and the End of the Venetian Renaissance
336
Pagini
2016
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Paperback
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This comprehensive, highly illustrated new study examines Titian's long career and varied output. Tom Nichols argues that Titian's works were self-consciously original, freely and intentionally undermining the traditional, more modest approach to painting in Venice at that time.
This comprehensive, highly illustrated new study examines Titian's long career and varied output. Tom Nichols argues that Titian's works were self-consciously original, freely and intentionally undermining the traditional, more modest approach to painting in Venice at that time.
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