An aesthetic, historical, and theoretical study of four scores, this text is a treatment of the topic of Russian opera in the Silver Age. It spans the gap between the supernatural Russian music of the 19th century and the compositions of Prokofiev and Stravinsky.

An aesthetic, historical, and theoretical study of four scores, this text is a treatment of the topic of Russian opera in the Silver Age. It spans the gap between the supernatural Russian music of the 19th century and the compositions of Prokofiev and Stravinsky.