Film Language: A Semiotics of the Cinema, Paperback

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Film Language: A Semiotics of the Cinema, Paperback

Film Language: A Semiotics of the Cinema, Paperback

Christian Metz, Michael Taylor

286

Pagini

1990

An

Paperback

Copertă

Adaugă în bibliotecă
Editura University of Chicago Press
Copertă Paperback
Pagini 286
An publicare 1990
ISBN 9780226521305
Categorii
Istoria artei

Descriere

A pioneer in the field, Christian Metz applies insights of structural linguistics to the language of film. "The semiology of film . . . can be held to date from the publication in 1964 of the famous essay by Christian Metz, 'Le cinema: langue ou langage?'"-Geoffrey Nowell-Smith, Times Lite...

A pioneer in the field, Christian Metz applies insights of structural linguistics to the language of film. "The semiology of film . . . can be held to date from the publication in 1964 of the famous essay by Christian Metz, 'Le cinema: langue ou langage?'"-Geoffrey Nowell-Smith, Times Literary Supplement "Modern film theory begins with Metz."-Constance Penley, coeditor of Camera Obscura "Any consideration of semiology in relation to the particular field signifying practice of film passes inevitably through a reference to the work of Christian Metz. . . . The first book to be written in this field, Film Language] is important not merely because of this primacy but also because of the issues it raises . . . issues that have become crucial to the contemporary argument."-Stephen Heath, Screen". Vezi mai mult Vezi mai mult

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A pioneer in the field, Christian Metz applies insights of structural linguistics to the language of film. "The semiology of film . . . can be held to date from the publication in 1964 of the famous essay by Christian Metz, 'Le cinema: langue ou langage?'"-Geoffrey Nowell-Smith, Times Literary Supplement "Modern film theory begins with Metz."-Constance Penley, coeditor of Camera Obscura "Any consideration of semiology in relation to the particular field signifying practice of film passes inevitably through a reference to the work of Christian Metz. . . . The first book to be written in this field, Film Language] is important not merely because of this primacy but also because of the issues it raises . . . issues that have become crucial to the contemporary argument."-Stephen Heath, Screen".

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