Piranesi. The Complete Etchings

Piranesi. The Complete Etchings

Piranesi. The Complete Etchings

Luigi Ficacci, Giovanni Battista Piranesi

792

Pagini

2022

An

Hardcover

Copertă

Adaugă în bibliotecă
Editura Taschen
Copertă Hardcover
Pagini 792
An publicare 2022
ISBN 9783836587617
Categorii
Istoria artei

Descriere

Explore the complete etchings of Giovanni Battista Piranesi, the 18th-century engraver famed for his architectural views of Rome and his imaginary prisons. In this edition, you’ll find all the extraordinary detail and fantasy with which Piranesi shaped not only the European image of Italy, but also ...

Explore the complete etchings of Giovanni Battista Piranesi, the 18th-century engraver famed for his architectural views of Rome and his imaginary prisons. In this edition, you’ll find all the extraordinary detail and fantasy with which Piranesi shaped not only the European image of Italy, but also an impressive artistic legacy, from Edgar Allan Poe to the moving staircases at Hogwarts.

Impossible staircases and startling ruins from Italy’s master engraver

The most famous 18th-century copper engraver, Giovanni Battista Piranesi (1720–1778) made his name with etchings of ancient Rome. His startling, chiaroscuro images imbued the city’s archaeological ruins with drama and romance and became favorite souvenirs for the Grand Tourists who traveled Italy in pursuit of classical culture and education.

Today, Piranesi is renowned not just for shaping the European imagination of Rome, but also for his elaborate series of fanciful prisons, Carceri, which have influenced generations of creatives since, from the Surrealists to Samuel Taylor Coleridge, Edgar Allan Poe, Jorge Luis Borges, and Franz Kafka.

Loosely based on contemporary stage sets rather than the actual dingy dungeons of Piranesi’s day, these intricate images defy architectural reality to play instead with perspective, lighting, and scale. Staircases exist on two planes simultaneously; vast, vaulted ceilings seem to soar up to the heavens; interior and exterior distinctions collapse. With a low viewpoint and small, fragile figures, the prison scenes become monstrous megacities of incarceration, celebrated to this day as masterworks of existentialist drama.

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