During the past half-century, contemporary art practices, theories and criticism have engaged intently with notions of the postnational. Nonetheless, the presence of the nation-state and nationalisms in art history remain steadfast.

During the past half-century, contemporary art practices, theories and criticism have engaged intently with notions of the postnational. Nonetheless, the presence of the nation-state and nationalisms in art history remain steadfast.

In posing the question ‘What is postnational art history?’ this publication aims not for definitive answers, but rather to broach the broader concept of postnationalism and how it might function to disrupt, rethink and complicate established discourses around national art. Edited by Charles Green and Ian McLean, designed by Beaziyt Worcou, and conceived as part of a colloquium of art historians convened at the Buku-Larrngay Mulka Centre – the Yolgnu art centre in Yirrkala, situated in north-east Arnhem Land, in Australia’s Top End – this book aims to tease out and better understand the transnational resonances and connections between artists across cultures and borders that increasingly shape the emerging post-Western world.