**Elizabeth Stuart Phelps *(August 31, 1844-January 28, 1911) was an early feminist American author and intellectual who challenged traditional Christian beliefs of the afterlife, challenged women's traditional roles in marriage and family, and advocated clothing reform for women. Following the publ...

**Elizabeth Stuart Phelps *(August 31, 1844-January 28, 1911) was an early feminist American author and intellectual who challenged traditional Christian beliefs of the afterlife, challenged women's traditional roles in marriage and family, and advocated clothing reform for women. Following the publication of her bestselling novel The Gates Ajar , Phelps became an international literary celebrity, publishing hundreds of essays, stories, and poems, placing work in every major American periodical and writing novels for both adults and children. She lectured on George Eliot at Boston University, the first woman to do so, and contributed to William Dean Howells's collaborative novel, The Whole Family, joining Howells, Henry James and Mary E. Wilkins Freeman, among others. She also became an important voice on religious topics, writing regularly for religious periodicals. Elizabeth Duquetteis Professor of English at Gettysburg College. Her areas of specialty include literature of the American Civil War era and transnational literary culture. She is the author of Loyal Subjects: Bonds of Nation, Race, and Allegiance in Nineteenth-Century America (2010) and the co-editor of Elizabeth Stuart Phelps: Selected Tales, Essays, and Poems (2014) and J19: The Journal of Nineteenth-Century Americanists . Claudia Stokesis Professor of English at Trinity University. She is the author of The Altar at Home: Sentimental Literature and Nineteenth-Century American Religion (2014). She is also the author of Writers in Retrospect: The Rise of American Literary History, 1875-1910 (2006) and co-editor, with Michael A. Elliott, of American Literary Studies: A Methodological Reader * (2002). She is currently writing a book about unoriginality and familiarity in nineteenth-century American literature.