Arnold Drake (1924-2007) helped shape the Silver Age both at Marvel with Captain Marvel and X-Men; and at DC with Batman, Doom Patrol and "Stanley and His Monster." His media tie-in work ranged from Star Trek to Bob Hope and Jerry Lewis. He wrote, produced and directed the 1964 horror film...

Arnold Drake (1924-2007) helped shape the Silver Age both at Marvel with Captain Marvel and X-Men; and at DC with Batman, Doom Patrol and "Stanley and His Monster." His media tie-in work ranged from Star Trek to Bob Hope and Jerry Lewis. He wrote, produced and directed the 1964 horror film The Flesh Eaters, and wrote lyrics for several musicals. He won 1967 Alley Awards for Best Full-Length Story and Best New Strip (both for Deadman in Strange Adventures), as well as the Bill Finger Award for Excellence in Comics Writing. Steve Gerber (1947-2008) first came to attention writing Defenders, in which he gave the non-team a non-traditional outlook equaled by few. In Adventure of Fear, he introduced Howard the Duck. Gerber's other 1970s contributions included scripts for Iron Man, Sub-Mariner and more. Elsewhere, he is equally well-remembered for DC's Phantom Zone, Eclipse's Destroyer Duck and others. Roger Stern enjoyed well-regarded runs on Amazing Spider-Man, in which he introduced Captain Marvel (Monica Rambeau) and the Hobgoblin; Avengers; and Captain America. He launched West Coast Avengers and wrote numerous tie-in miniseries starring Earth's Mightiest Heroes. At DC, he relaunched Atom and co-created Starman (Will Payton) before participating in one of comics' most shocking events: the 1992 "Death of Superman." He later returned to Marvel to write Amazing Spider-Man and related titles. The unique, shadowy style of Gene Colan (1926-2011) most memorably appeared in long stints on Captain America and Daredevil, and all 70 issues of Tomb of Dracula -- among the dozens of other Marvel titles he has drawn. His DC work on Detective Comics and Night Force is equally well remembered. During the Golden Age, he drew multiple war stories for Marvel and DC alike. Colan has earned several Eagle Awards and had professional art showings in New York City. His work on Ed Brubaker's Captain America at the age of 82 drew well-deserved raves. After a start as inker to his older brother John, Sal Buscema penciled Captain America, Defenders, Incredible Hulk and more. Famed for his ability to meet tight deadlines, he spread his talents across multiple genres. His 1970s work ranged from Ms. Marvel and Nova to Sub-Mariner and Spider-Woman's first appearance in Marvel Spotlight. He was the uninterrupted artist on Spectacular Spider-Man for more than 100 issues and penciled the web-slinger's adventures in Marvel Team-Up, in which he and writer Bill Mantlo introduced Captain Jean De